In the day, among crowds of people, sometimes they came upon me. Complete Poetry and Collected Prose. It is not upon you alone the dark patches fall. and faithfully hold it, till all downcast eyes have time to take it from you;Diverge, fine spokes of light, from the shape of my head, or any one's head, in the sun-lit water; Come on, ships from the lower bay! Crossing Brooklyn Ferry by Jennie Fields, August 1998, Ulverscroft Large Print edition, Hardcover in English - Largeprint edition 2. CROSSING BROOKLYN FERRY. In “Crossing Brooklyn Ferry” the story follows the narrator’s experience with life as he takes a beautiful ferry ride. I see you face to face! I watch you face to face; Clouds of the west! Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat. Flood-tide below me! Live, old life! We descend upon you and all things—we arrest you all; We realize the soul only by you, you faithful solids and fluids; Through you color, form, location, sublimity, ideality; Through you every proof, comparison, and all the suggestions and determinations of ourselves. In my walks home late at night or as I lay in my bed they came upon me. We understand, then, do we not? Now I am curious what sight can ever be more stately and admirable to me than my mast-hemm'd Manhattan, My river and sun-set, and my scallop-edg'd waves of flood-tide, The sea-gulls oscillating their bodies, the hay-boat in the twilight, and the belated lighter; Curious what Gods can exceed these that clasp me by the hand, and with voices I love call me promptly and loudly by my nighest name as I approach; Curious what is more subtle than this which ties me to the woman or man that looks in my face,Which fuses me into you now, and pours my meaning into you. We receive you with free sense at last, and are insatiate henceforward; Not you any more shall be able to foil us, or withhold yourselves from us; We use you, and do not cast you aside—we plant you permanently within us; We fathom you not—we love you—there is perfection in you also; Great or small, you furnish your parts toward the soul. It is one of Walt Whitman's best-known and best-loved poems because it so astutely and insightfully argues for Whitman's idea that all humans are united in … The flags of all nations, the falling of them at sun-set. Crowds of men and women attired in the usual costumes, how curious you are to me! Was wayward, vain, greedy, shallow, sly, cowardly, malignant. The poem explores the difficulties of discovering the relevance of life. I too had been struck from the float forever held in solution;I too had receiv'd identity by my Body; That I was, I knew was of my body—and what I should be, I knew I should be of my body. Crossing Brooklyn Ferry. Will enjoy the sunset, the pouring in of the flood-tide, the falling back to the sea of the ebb-tide. It avails not, neither time or place—distance avails not;I am with you, you men and women of a generation, or ever so many generations hence; I project myself—also I return—I am with you, and know how it is. Buy used: $13.49. Crowds of men and women attired in the usual costumes, how curious you are to me! The impalpable sustenance of me from all things, at all hours of the day; The simple, compact, well-join'd scheme—myself disintegrated, every one disintegrated, yet part of the scheme: The similitudes of the past, and those of the future; The glories strung like beads on my smallest sights and hearings— on the walk in the street, and the passage over the river; The current rushing so swiftly, and swimming with me far away;The others that are to follow me, the ties between me and them; The certainty of others—the life, love, sight, hearing of others. Consider, you who peruse me, whether I may not in unknown ways be looking upon you; Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current; Fly on, sea-birds! However, it is through the use of repetition, parallel structure, and figurative languages of metaphors and imageries, that enable Whitman to thread together generations of … You have waited, you always wait, you dumb, beautiful ministers! Others will enter the gates of the ferry and cross from shore to shore. It is not upon you alone the dark patches fall. It is one of Walt Whitman ’s best-known and best-loved poems because it so astutely and insightfully argues for Whitman's idea that all humans are united in … Clouds of the west—sun there half an hour high—I see you also face to face. drench with your splendor me, or the men and women generations after me; Cross from shore to shore, countless crowds of passengers! I watch you face to face; ... On the ferry-boats, the hundreds and hundreds that cross, returning home, are … I see you also face to face. Select from premium Crossing Brooklyn Ferry Festival Day 1 of the highest quality. Stand up, tall masts of Mannahatta! Consider, you who peruse me, whether I may not in unknown ways be looking upon you; Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current; Fly on, sea-birds! Walt Whitman’s “Crossing Brooklyn Ferry” is a poem that not only exposes the differences within the people and the geography of the nation, but also shows the theme of equality that unites these differences. I see you also face to face. Abstract. Crossing Brooklyn Ferry. These and all else were to me the same as they are to you. It is not you alone, nor I alone;Not a few races, nor a few generations, nor a few centuries; It is that each came, or comes, or shall come, from its due emission, From the general centre of all, and forming a part of all: Everything indicates—the smallest does, and the largest does; A necessary film envelopes all, and envelopes the Soul for a proper time. As you move through the poem you will find links to multi-media elements, critical analysis, and textual glosses. The poem relates to the theme of migration but cannot be contained by it. We descend upon you and all things—we arrest you all; We realize the soul only by you, you faithful solids and fluids; Through you color, form, location, sublimity, ideality; Through you every proof, comparison, and all the suggestions and determinations of ourselves. From the general centre of all, and forming a part of all: Everything indicates—the smallest does, and the largest does; A necessary film envelopes all, and envelopes the Soul for a proper time. Walt Whitman's poem Crossing Brooklyn Ferry. Whitman, wrote his poem, “Crossing Brooklyn Ferry” in the time in which this movement was occurring. I was call'd by my nighest name by clear loud voices of young men as they saw me approaching or passing. Stand up, tall masts of Mannahatta!—stand up, beautiful hills of Brooklyn!Throb, baffled and curious brain! drench with your splendor me, or the men and women generations after me! Flow on, river! A sonnet stands tall where the ungoverned waters of literature meet the strict land of law. About my body for me, and your body for you, be hung out divinest aromas. What is the count of the scores or hundreds of years between us? Lived the same life with the rest, the same old laughing, gnawing, sleeping. Saw the slow-wheeling circles and the gradual edging toward the south. I am with you, you men and women of a generation, or ever so many generations hence. Sound out, voices of young men! Just as you feel when you look on the river and sky, so I felt; Just as any of you is one of a living crowd, I was one of a crowd; Just as you are refresh'd by the gladness of the river and the bright flow, I was refresh'd; Just as you stand and lean on the rail, yet hurry with the swift current, I stood, yet was hurried; Just as you look on the numberless masts of ships, and the thick-stem'd pipes of steamboats, I look'd. CROSSING BROOKLYN FERRY. Crowds of men and women attired in the usual costumes! "CROSSING BROOKLYN FERRY""Crossing Brooklyn Ferry" has long been regarded as one of Walt Whitman's greatest poems. Crossing Brooklyn Ferry by Walt Whitman poem text and resources. In the day among crowds of people sometimes they came upon me. Crowds of men and women attired in the usual costumes! how curious you are to me! Clouds of the west—sun there half an hour high—I see you also face to face. Walt Whitman wrote "Crossing Brooklyn Ferry" before the construction of the Brooklyn Bridge (which was completed in 1883). Others will see the islands large and small; Fifty years hence, others will see them as they cross, the sun half an hour high. I too lived, Brooklyn of ample hills was mine. Beat! throw out questions and answers! Saw the white sails of schooners and sloops, saw the ships at anchor. Was one with the rest, the days and haps of the rest. Crossing Brooklyn Ferry: ... has been added to your Cart Add a gift receipt for easy returns. you are to me! Walt Whitman's "Crossing Brooklyn Ferry" is filled with Whitman's trademark respect and immersion within the culture of mankind. Jesse Merandy’s legacy project, Crossing Brooklyn Ferry: An Online Critical Edition (2008-09), presents new avenues for reading and studying American poet Walt Whitman’s iconic work. Whatever it is, it avails not—distance avails not, and place avails not. We use you, and do not cast you aside—we plant you permanently within us. would not people laugh at me? See more ideas about installation art, sculpture installation, art. What the push of reading could not start, is started by me personally, is it not? FLOOD-TIDE below me! Look’d at the fine centrifugal spokes of light round the shape of my head in the sunlit water. Clouds of the west—sun there half an hour high—I see you also face to face. would not people laugh at me? He also employs detailed imagery and uses the second perspective by asking the reader questions to ultimately better involve the reader, allowing them to see his philosophies. On the neighboring shore, the fires from the foundry chimneys burning high and glaringly into the night. Walt Whitman’s “Crossing Brooklyn Ferry” was published in 1856 as the “Sun-Down Poem” in the second edition of Leaves of Grass and had its present title in 1860. Consider, you who peruse me, whether I may not in unknown ways be looking upon you; Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current; Fly on, sea-birds! Just as you feel when you look on the river and sky, so I felt; Just as any of you is one of a living crowd, I was one of a crowd; Just as you are refresh'd by the gladness of the river and the bright flow, I was refresh'd;Just as you stand and lean on the rail, yet hurry with the swift current, I stood, yet was hurried; Just as you look on the numberless masts of ships, and the thick-stem'd pipes of steamboats, I look'd. Leadership support for Crossing Brooklyn Ferry provided by Steve Tisch, Laurie Tisch, and Lizzie and Jonathan Tisch. Lesson 4.5: “Crossing Brooklyn Ferry” by Walt Whitman (two periods) Aim: To learn about transportation in mid-19th-century Brooklyn Objective: Students look at several photographs of Brooklyn transport from the era and read Walt Whitman’s poem “Crossing Brooklyn Ferry.” In addition to making critical I watch you face to face; Clouds of the west! Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow. Flood-tide below me! Crowds of men and women attired in the usual costumes! Find the perfect Crossing Brooklyn Ferry Festival Day 1 stock photos and editorial news pictures from Getty Images. Crossing Brookly Ferry Annotation Essay Example He uses no specific form, therefore as a means to create rhythm he uses anaphora, syntax, and diction to create a rhythm for the reader. 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